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Itzhak Perlman Beethoven violin concerto

Itzhak Perlman Beethoven violin concerto

  • Order:
  • Duration: 48:20
  • Updated: 08 Nov 2014
  • views: 182321
videos
Violín Cocierto en Re Mayor Op. 61 Ludwig van Beethoven interpreta Itzhak Perlman
https://wn.com/Itzhak_Perlman_Beethoven_Violin_Concerto
Beethoven, Triple Concierto y Fantasía Coral. Yo-Yo Ma, Perlman, Barenboim

Beethoven, Triple Concierto y Fantasía Coral. Yo-Yo Ma, Perlman, Barenboim

  • Order:
  • Duration: 58:47
  • Updated: 18 Jan 2014
  • views: 1457054
videos
Ludwig van Beethoven (1770 - 1827) Concierto para violín, violonchelo y piano en Do mayor, Opus 56 1. Allegro 2. Largo (attacca) 3. Rondo alla polacca Itzhak Perlman, violín Yo-Yo Ma, violonchelo Daniel Barenboim, piano y director. Sala de la Berliner Philharmonie en Berlín-Tiergarten. El Concierto para violín, violonchelo y piano en Do mayor, op. 56, es una obra escrita por Ludwig van Beethoven y conocida comúnmente como su Triple concierto. Fue compuesta entre 1804 y 1805. Fue estrenada en 1808 en los conciertos de verano "Augarten" de Viena. Este es el único concierto que compuso Beethoven para más de un instrumento solista. Uno de los primeros biografos del compositor, Anton Schindler, sostenía que el Triple concierto fue escrito para el pupilo de Beethoven, el archiduque Rodolfo de Austria. El archiduque, que bajo el tutelaje de Beethoven logró ser un consumado pianista y compositor, era apenas un joven cuando se compuso la pieza, y esta sería la razón por la cual la parte para piano es a la vez vistosa y fácil, soportada por otros dos solistas más maduros y hábiles. Sin embargo, no hay conocimiento de que Rodolfo interpretara la pieza. Al momento de su publicación, la dedicatoria era para otro de sus mecenas, el Príncipe Lobkowitz. Además del violín, violonchelo y piano solistas, la pieza está orquestada para una flauta, dos oboes, dos clarinetes, dos fagotes, dos trompas, dos trompetas, tímpano y cuerdas. - Fantasía para piano, coro y orquesta en do menor, Opus 80 (37' 30''~) 1. Adagio 2. Allegro 3. Meno allegro 4. Adagio ma non troppo 5. Marcia, assai vivace 6. Allegretto, ma non troppo 7. Presto Carola Höhn, Katharina Kammerloher, Andrea Böning, Endrik Wottrich, Pär Lindskog, René Pape. Chor Der Deutschen Staatsoper Berlin. Orquesta Filarmónica de Berlín. Daniel Barenboim, director. La Fantasía comienza con una introducción de 26 compases lenta pero virtuosa para piano, que modula de Do menor a Do mayor y regresa a la primera. La parte principal de la obra, marcada "Finale", comienza con un tema en Allegro tocado por los cellos y los contrabajos. Después , el piano solo introduce el tema coral en una versión ornamentada. Variaciones sobre el tema son entonces tocadas por las flautas, oboes, clarinetes y las cuerdas solistas, respectivamente. Una versión del tema con toda la orquesta, tocada en forte lleva a una parte de piano más lírica. La orquesta acompaña a un parte del piano en semicorcheas mientras la obra va modulando de Do menor a Do mayor. Una sección calmada y fluida en La mayor, que termina con una sección de pregunta-respuesta entre las lengüetas dobles, corno y piano, lleva a una Marcia, una variación en Fa mayor del tema principal al estilo de una marcha. Una repetición del tema instrumental del primer allegro es una transición a la entrada coral. El coro entra con las sopranos y contraltos cantando el tema principal, armonizado en triadas. Los tenores y bajos entonces cantan el tema, y después al coro se le une la orquesta en un tutti. Una coda en presto con orquesta, coro y piano da final a la obra. TEXTO: Schmeichelnd hold und lieblich klingen unsers Lebens Harmonien, und dem Schönheitssinn entschwingen Blumen sich, die ewig blüh'n. Fried und Freude gleiten freundlich wie der Wellen Wechselspiel; was sich drängte rauh und feindlich, ordnet sich zu Hochgefühl. Wenn der Töne Zauber walten und des Wortes Weihe spricht, muss sich Herrliches gestalten, Nacht und Stürme werden Licht, äuß're Ruhe, inn're Wonne, herrschen für den Glücklichen Doch der Künste Frühlingssonne lässt aus beiden Licht entsteh'n. Großes, das ins Herz gedrungen, blüht dann neu und schön empor, hat ein Geist sich aufgeschwungen, hallt ihm stets ein Geisterchor. Nehmt denn hin, ihr schönen Seelen, froh die Gaben schöner Kunst. Wenn sich Lieb und Kraft vermählen, lohnt dem Menschen Göttergunst. EN CASTELLANO: Con gracia y dulzura resuenan las armonías de nuestra vida y el sentido de la belleza engendra flores que eternamente florecen. La paz y la alegría avanzan cual amigas como el juego alternante de la olas; y lo que insistía en ser rudo y hostil entra a formar parte de lo sublime. Cuando en los tonos reina la magia y en las palabras la inspiración se configura lo maravilloso, noche y tempestad se vuelven luz. Calma exterior y alegría interior priman para el bienaventurado; y el sol primaveral de las artes permite que de ambas nazca luz. Algo grande contenido en el pecho florece de nuevo en toda su belleza; si un espíritu se ha encumbrado todo un coro de espíritus resuena siempre a su alrededor. Aceptad, pues, almas bellas, alegremente los dones del buen arte. Cuando se unen el amor y la fuerza el favor de los dioses al hombre recompensa. ---
https://wn.com/Beethoven,_Triple_Concierto_Y_Fantasía_Coral._Yo_Yo_Ma,_Perlman,_Barenboim
Giulini conducts Beethoven .Violin Concerto.Itzhak Perlman

Giulini conducts Beethoven .Violin Concerto.Itzhak Perlman

  • Order:
  • Duration: 44:47
  • Updated: 26 Jun 2016
  • views: 3974
videos
Philarmonia Orchestra I.Perlman,Violín Giulini,conductor
https://wn.com/Giulini_Conducts_Beethoven_.Violin_Concerto.Itzhak_Perlman
Itzhak Perlman: Beethoven - Concerto for Violin, Cello & Piano in C Major, Op. 56 "Triple"

Itzhak Perlman: Beethoven - Concerto for Violin, Cello & Piano in C Major, Op. 56 "Triple"

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  • Duration: 43:30
  • Updated: 05 Oct 2017
  • views: 23467
videos
At the Mann Auditorium, Tel Aviv, 2010 Giora Schmidt - violin Zuill Bailey - cello Navah Perlman - piano Itzhak Perlman - Conductor Israel Philharmonic Orchestra Ludwig van Beethoven - Concerto in C Major for Violin, Cello, Piano and Orchestra, Op. 56 0:54 I. Allegro 19:01 II. Largo 24:13 III. Rondo alla polacca Beethoven's Triple Concerto, unlike his concerto for violin or his five concerts for piano, was poorly received by critics at the time. This is probably what led to the piece being only seldom heard in concert-halls today. The musicologist Harry Goldschmidt recognised in the Triple Concerto, which was written between 1803 abd 1804, 'a piano trio in the form of a concerto'. Beethoven, however, did not confer the lead role on the pian, which most composer of the time did, but on the violoncello, which is first to play the theme. The partnership role of the cello with the violin is also noticeable throughout the entire development. From the very beginning of the first movement, the hierarchy as determined by Beethoven is recognisable. After the orchestra performs the sweeping lead theme, it is taken up by the cello, the by the violin, and finally by the piano. In the melancholic secondary subject, this order is maintained by the composer. The movement ends finally with a glorious coda. In the second movement, the cello also first presents the wonderfully delicate theme, which, after a brief prelude by the orchestra, and is ultimately with melodic, harmonic, and rhythmical adaptation performed by the solo instruments. For the most part, as already in the first movement, the orchestra keeps itself during the solo passages discreetly in the background. Without a pause the sweeping Rondo alla Polacca follows, and the cello begins the theme again. This rondo displays a particularly characteristic form. It keeps returning, each time a little altered. A rousing forwards pull wraps up the "Triple Concerto". Watch the other performances of the Beethoven's concert in Tel Aviv: https://goo.gl/w2bZz3 Subscribe to EuroArts: https://goo.gl/jrui3M
https://wn.com/Itzhak_Perlman_Beethoven_Concerto_For_Violin,_Cello_Piano_In_C_Major,_Op._56_Triple
Beethoven: Violin Concerto / Perlman · Barenboim · Berliner Philharmoniker

Beethoven: Violin Concerto / Perlman · Barenboim · Berliner Philharmoniker

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  • Duration: 3:02
  • Updated: 28 Jul 2017
  • views: 14971
videos
Full-length concert: https://www.digitalconcerthall.com/concert/51723?a=youtube&c=true Ludwig van Beethoven: Violin Concerto (1st movt) / Itzhak Perlman, violin · Daniel Barenboim, conductor · Berliner Philharmoniker / Recorded at the Schauspielhaus Berlin, 26 February 1992 The Berliner Philharmoniker's Digital Concert Hall: http://www.digitalconcerthall.com Subscribe to our newsletter: http://www.digitalconcerthall.com/new... Website of the Berliner Philharmoniker: http://www.berliner-philharmoniker.de
https://wn.com/Beethoven_Violin_Concerto_Perlman_·_Barenboim_·_Berliner_Philharmoniker
Itzhak Perlman: Beethoven - Egmont Overture, Op. 84

Itzhak Perlman: Beethoven - Egmont Overture, Op. 84

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  • Duration: 10:22
  • Updated: 28 Sep 2017
  • views: 5776
videos
At the Mann Auditorium, Tel Aviv, 2010 Conductor - Itzhak Perlman Violin - Giora Schmidt Cello - Zuill Bailey Piano - Navah Perlman Israel Philarmonic Orchestra Ludwig van Beethoven - Egmont Overture, Op. 84 Ludwig van Beethoven was contracted in 1809 to compose the music to Goethe's Egmont by the Burgtheater in Vienna. After the piece was first performed, Beethoven sent an extract to the famous poet, who was reportedly very impressed by the music. Goethe's tragedy describes the story of the Earl Egmont, who led the uprising of the Netherlanders against the ruling Spanish in Brussels in the sixteenth century. He failed in his intentions and was condemned to death. The entire Overture is written in the sombre key of F minor, which is often used to display pain and suffering in music. In the slow prelude the funeral march of the opressed resounds, following which Beethoven dynamically and energetically portrays tha main theme of the young Earl Egmont. The gentle secondary subject of the piece reflects Egmont's love for his beloved Klärchen. The overture ends with the sound of his fanfare, triumphant and full of expectation. Although the stage music was very popular in its day, and indeed the piece was also arranged fot the concert-hall, nowadays the Overture is rarely performed. Watch the other performances of the Beethoven's concert in Tel Aviv: https://goo.gl/w2bZz3 Subscribe to EuroArts: https://goo.gl/jrui3M
https://wn.com/Itzhak_Perlman_Beethoven_Egmont_Overture,_Op._84
Beethoven violin sonata No 9 Kreutzer Mvt 1 (1/4) Perlman

Beethoven violin sonata No 9 Kreutzer Mvt 1 (1/4) Perlman

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  • Duration: 11:51
  • Updated: 15 Aug 2011
  • views: 22631
videos
Ludwig Van Beethoven: Violin sonata No. 9 in A major, Op. 47 "Kreutzer" 1 - Adagio sostenuto - Presto - Adagio (movement 1) Itzhak Perlman, violin Vladimir Ashkenazy, piano 1973
https://wn.com/Beethoven_Violin_Sonata_No_9_Kreutzer_Mvt_1_(1_4)_Perlman
Beethoven Egmont Abertura. ITZAHK Perlman

Beethoven Egmont Abertura. ITZAHK Perlman

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  • Duration: 9:37
  • Updated: 12 Oct 2012
  • views: 1638
videos
https://wn.com/Beethoven_Egmont_Abertura._Itzahk_Perlman
Itzhak Perlman - Beethoven Violin Romance No. 2 , Op. 50

Itzhak Perlman - Beethoven Violin Romance No. 2 , Op. 50

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  • Duration: 8:53
  • Updated: 19 Jan 2012
  • views: 213921
videos
Violin: Itzhak Perlman Conductor: Daniel Barenboim Berliner Philharmoniker * I don't own the music or the pictures.
https://wn.com/Itzhak_Perlman_Beethoven_Violin_Romance_No._2_,_Op._50
Itzhak Perlman talks about the Beethoven Violin Concerto

Itzhak Perlman talks about the Beethoven Violin Concerto

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  • Duration: 1:49
  • Updated: 28 Sep 2012
  • views: 105280
videos
Subscribe to Itzhak on YouTube: http://www.youtube.com/itzhakperlman Become a fan of Itzhak on Facebook: http://www.facebook.com/itzhakperlmanofficial Get Itzhak's new album, Eternal Echoes: Songs & Dances for the Soul: http://bit.ly/EternalEchoes
https://wn.com/Itzhak_Perlman_Talks_About_The_Beethoven_Violin_Concerto
Beethoven, Violin Sonata No 9 Kreutzer and No 5 Spring , Itzhak Perlman, Vladimir Ashkenazy

Beethoven, Violin Sonata No 9 Kreutzer and No 5 Spring , Itzhak Perlman, Vladimir Ashkenazy

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  • Duration: 1:00:11
  • Updated: 19 Jul 2016
  • views: 5146
videos
https://wn.com/Beethoven,_Violin_Sonata_No_9_Kreutzer_And_No_5_Spring_,_Itzhak_Perlman,_Vladimir_Ashkenazy
Itzhak Perlman: Beethoven - Symphony No. 6 in F Major, Op. 68 "Pastoral"

Itzhak Perlman: Beethoven - Symphony No. 6 in F Major, Op. 68 "Pastoral"

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  • Duration: 44:50
  • Updated: 12 Oct 2017
  • views: 10713
videos
At the Mann Auditorium, Tel Aviv, 2010 Giora Schmidt - violin Zuill Bailey - cello Navah Perlman - piano Itzhak Perlman - conductor Israel Philharmonic Orchestra Ludwig van Beethoven - Symphony No. 6 in F major, Op. 68 "Pastoral" 0:10 I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo 10:14 II. Szene am Bach: Andante molto mosso 22:49 III. Lustiges Zusammensein der Landleute: Allegro 28:40 IV. Gewitter, Sturm: Allegro 32:23 V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegreto After the composer had initially referred to the Sixth Symphony as Sinfonia caracteristica and Sinfonia pastorella, by the time of printing he called it "Pastoral" Symphony or "Remembrance of Country Life" and added in brackets "More the expression of feelings than painting". It was a premiered in the Theater an der Wien on the 22 December 1808 under the direction of the composer, who dedicated the piece to Franz Joseph Maximilian von Lobkowitz and the Russian Earl Rasumowskij. As early as the first beats of the first movement ("Pleasant, cheerful feelings on approaching the countryside"), the joyfulness and glee are clearly to be seen, feelings which dominate the whole movement. Were one to listen closer, one could almost hear the birdsong. In the second movement ("Scene by the brook") a quiet and gentle thema sounds over the regular rush of the stream, a theme that in the suite is varied in the orchestra section in various ways. In the coda to the movement, the woodwind section imitates the call of the nightingale, the quail, and the cuckoo. The third movement ("Happy gathering of villagers") is kept quite short. After a dancing orchestra theme, the wind instruments, in a chamber music passage, appear one by one and present their skills, until once again the orchestra wins the overhand. This sequence is repeated once and the the accompanying coda goes directly into the dramatic fourth movement ("Thunder-storm") and ends the party of the country folk. At the beginning of the final movement ("Shepherds" song: Grateful thanks to the Almighty after the storm") the horn finally sounds the famous shepherd's call, which ceremoniusly closes the symphony. Watch the other performances of the Beethoven's concert in Tel Aviv: https://goo.gl/w2bZz3 Subscribe to EuroArts: https://goo.gl/jrui3M
https://wn.com/Itzhak_Perlman_Beethoven_Symphony_No._6_In_F_Major,_Op._68_Pastoral
Itzhak Perlman "Violin Concerto" Beethoven  (1.Mov.)

Itzhak Perlman "Violin Concerto" Beethoven (1.Mov.)

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  • Duration: 24:40
  • Updated: 19 Oct 2011
  • views: 32075
videos https://wn.com/Itzhak_Perlman_Violin_Concerto_Beethoven_(1.Mov.)
Beethoven Violin Romance, Op. 40 - Itzhak Perlman, Barenboim, Berliner Philharmoniker

Beethoven Violin Romance, Op. 40 - Itzhak Perlman, Barenboim, Berliner Philharmoniker

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  • Duration: 7:22
  • Updated: 29 Oct 2011
  • views: 211289
videos
https://wn.com/Beethoven_Violin_Romance,_Op._40_Itzhak_Perlman,_Barenboim,_Berliner_Philharmoniker
Itzhak Perlman and Vladimir Ashkenazy

Itzhak Perlman and Vladimir Ashkenazy

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  • Duration: 6:15
  • Updated: 27 Jun 2012
  • views: 59572
videos https://wn.com/Itzhak_Perlman_And_Vladimir_Ashkenazy
Beethoven violin sonata No. 5 Spring Mvt 1 (1/3) Perlman

Beethoven violin sonata No. 5 Spring Mvt 1 (1/3) Perlman

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  • Duration: 9:58
  • Updated: 15 Aug 2011
  • views: 59328
videos https://wn.com/Beethoven_Violin_Sonata_No._5_Spring_Mvt_1_(1_3)_Perlman
P. I. Tchaikovsky - Violin Concerto in D major, Op. 35 - Itzhak Perlman

P. I. Tchaikovsky - Violin Concerto in D major, Op. 35 - Itzhak Perlman

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  • Duration: 36:31
  • Updated: 26 Sep 2014
  • views: 4871070
videos
Soloist: Itzhak Perlman Conductor: Eugene Ormandy Philadelphia Orchestra I'm sorry the video and audio are not quite together at the end.
https://wn.com/P._I._Tchaikovsky_Violin_Concerto_In_D_Major,_Op._35_Itzhak_Perlman
Argerich Perlman Kreutzer Sonata No. 9 Beethoven LIVE

Argerich Perlman Kreutzer Sonata No. 9 Beethoven LIVE

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  • Duration: 33:59
  • Updated: 17 Jun 2014
  • views: 19551
videos https://wn.com/Argerich_Perlman_Kreutzer_Sonata_No._9_Beethoven_Live
Itzhak Perlman plays Beethovens concert for violin and orchestra D major op.61 part 3

Itzhak Perlman plays Beethovens concert for violin and orchestra D major op.61 part 3

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  • Duration: 9:46
  • Updated: 31 Mar 2009
  • views: 21906
videos
Koncert skrzypcowy D-dur Beethovena Filharmonicy Berlińscy dyr. Daniel Barenboim Allegro ma non troppo część 3
https://wn.com/Itzhak_Perlman_Plays_Beethovens_Concert_For_Violin_And_Orchestra_D_Major_Op.61_Part_3
Classic Sesame Street: Telly and Itzhak Perlman

Classic Sesame Street: Telly and Itzhak Perlman

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  • Duration: 2:53
  • Updated: 12 Dec 2006
  • views: 430973
videos
Here they are in a scene from 1980, playing Beethoven's Minuet in G. Telly's character was in early stages of development at this point, which explains his weird voice and awkward punchline.
https://wn.com/Classic_Sesame_Street_Telly_And_Itzhak_Perlman
Itzhak Perlman "Violin Concerto" Beethoven  (2.Mov.)

Itzhak Perlman "Violin Concerto" Beethoven (2.Mov.)

  • Order:
  • Duration: 9:42
  • Updated: 19 Oct 2011
  • views: 21965
videos https://wn.com/Itzhak_Perlman_Violin_Concerto_Beethoven_(2.Mov.)
Itzhak Perlman - "Beethoven Violin sonata in E flat major - Allegro con spirito"

Itzhak Perlman - "Beethoven Violin sonata in E flat major - Allegro con spirito"

  • Order:
  • Duration: 8:07
  • Updated: 04 Jan 2009
  • views: 28369
videos https://wn.com/Itzhak_Perlman_Beethoven_Violin_Sonata_In_E_Flat_Major_Allegro_Con_Spirito